Simon Morris finds himself on the wrong side of history – or at least the general, critical opinion of the new Stephen King movie, The Long Walk, and millennial sex-comedy Splitsville. Though he agrees with most people about whether we really need yet another Downton Abbey spinoff movie.

Simon Morris looks at three films that use comedy in different ways to make a point – the divorce comedy The Roses, a film about a traumatic event, Sorry, Baby, that uses humour as a healing tool and French farce How To Make A Killingwhich uses comedy to make you laugh!

Simon Morris looks at three apparent romances, which all seem to ignore the usual rules. New Zealand comedy Workmates insists they’re just good friends, British music dramedy The Ballad of Wallis Island proves that band breakups aren’t good for love, while action thriller Caught Stealing is more interested in money than “boy meets girl”.

Simon Morris wonders what you gain, or lose, when you cast a film with people who have to do an accent? This week he looks at three films set in America, but starring English, Australian and Irish actors. These include The Naked Gun, with Liam Neeson, Relay with Riz Ahmed and Sam Worthington, and Night Always Comes with Vanessa Kirby.